Ionut Maxim

Sequence

A study in choreography — sequence as something you can author and scrub.

Status
Live
Medium
GSAP
Updated
June 2026

The bars above are driven by a single timeline. Each one rises, warms, and settles a beat after its neighbour — a wave you can watch play, or grab and scrub backwards and forwards by dragging across it.

01 · Notes

Why this one

Most of what makes work feel considered is sequence — the order in which things arrive, resolve, and give way to the next thing. A good process has the same quality as a good timeline: you can pause it, scrub it, and explain why each moment lands where it does.

02 · Notes

How it works

GSAP builds one master timeline; each bar gets a staggered pair of tweens (rise, then settle) placed at an offset down the line, and a playhead is tied to the same clock. Dragging pauses playback and maps the cursor's x-position onto the timeline's progress — so the whole choreography becomes a thing you hold in your hand.

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